Conference No. 1
w/ Jord Earving Gadingan
7 Aug 2021, 7PM PHT / 13:00 CET
Sign Language Interpretation by John Lester Go Dig and Jun Sevilla
Livestream transcript/English translation by Tricia Velez
📝 Download full transcript (Filipino Version)
📝 Download full transcript (English Version)
Matingkad na kahel ang
namamayaning kulay ng iskrin. Tila may manipis na belong kahel na itinaklob sa kabuuan ng eksenang matutunghayan ng mga viewer ng livestream. Sasalubong sa manonood ang footage ng bangkang lumalayag. Mabilis at banayad ang andar nito. Nakabaling paharap ang pananaw ng footage, umaayon sa direksyon ng paglaot ng bangka. Paminsang lumilingon sa bandang kanan ang tumatanaw. Maliliit lamang ang alon, ngunit mararamdaman sa punto de bista ng footage ang bahagyang nakakahilong pataas-pababang pag-alog ng bangka. Makikita sa harapan ng punto de bista ang patulis na dulo ng sinasakyang bangka, na hinaharangan naman ang tanawin nito ng bundok sa malayo. Mayroon ding mala-tungkod na bagay sa mismong harap ng tumatanaw, na maaari marahil nitong kapitan kung sakaling mawalan siya ng balanse. Batay sa anino ng nasabing tungkod, maipagpapalagay na tanghaling tapat noong kinuha ang video na ito. Mukhang maulap ang himpapawid. Maririnig ang paghampas ng alon sa bangka.
Dalawang uri ng bagay ang makikita sa ibabaw ng footage ng paglayag. Una, sa kaliwang gilid ng iskrin: mistulang kanang bahagi ng maikling dulo ng kuwadrong taluhaba. Kahel din ang dominanteng kulay nito, ngunit may mga luntian at bughaw na linya ring nagsisilbing disenyo ng kuwadrong ito. Lubos na naiiba ang makinis at solidong tekstura nito sa (bagaman purong kahel na) realismo ng footage. Maaalala rito ang karaniwang ideya ng “futuristic” noong katapusan ng dekada nobenta hanggang sa pagpasok ng bagong milenyo.
Katabi nito ang ikalawang uri ng bagay na nakapatong sa footage: mga salita. Mga pag-anunsyo at iba pang impormasyon hinggil sa Conference ang mababasa. Sa tuktok, kahanay ng kanang sulok ng tila piraso ng kuwadrong katabi nito, makikita ang “LIVE IN” kasama ng countdown timer. Magsisimula ang timer na ito sa tatlong minutos. Malaki ang font, puti ang mga titik, at naka-highlight ng pula. Sa ibaba nito, sa parehong malaking font, mababasa naman ang WELCOME TO ETERNAL CONFERENCES! Mayroong ombre effect ang kulay ng mga letra: mula puti rin sa simula, dahan-dahan itong magiging kakulay ng pinakamalinis na tubig-dagat sa dalampasigang puti ang buhangin. Itim naman ang highlight nito.
HAVE A GREAT TIME!!! 😊 Itim ang kulay ng mga titik, at puti ang highlight ng linyang ito.
Pagkaabot sa 00:00 sa countdown timer, panandaliang lalakas ang tunog ng along humahampas sa bangka. Lubusang magbabago ang pagkakaayos ng iskrin. Tulad ng naunang disenyo ng iskrin, nasa unang layer kumbaga muli ang litratong nagtatampok ng realistikong larawan ng natural na tanawin. Mababasa sa kaliwang sulok ng iskrin ang tila pagkakakilanlan ng tanawin: TaalVolcanoVTMC2019/01/07 08:51:16, sa maliit na puting sans serif na font. Sa ibabaw ng litratong ito, matutunghayan ang tatlong kahel, luntian, at bughaw na kuwadrong taluhabang iba’t iba ang laki. Tila naging patikim ang naunang pagsasaayos ng iskrin sa ngayo’y matatagpuan ng mga viewer sa kanilang harapan, sapagkat pareho silang disenyo ng lumang “futuristic.” Mababasa sa puting font ang ETERNAL CONFERENCES sa itaas na kanang bahagi ng iskrin. May katabi itong kumikislap at umiikot na kulay gintong bilog. Sa ibabaw nito, mayroon ding 3D na graphic ng mala-pusit na nilalang. Kulay puti, mayroong manipis na kahel na outline, mistulang anino.
A bright orange dominates
the screen. There appears to be a thin orange veil over the entirety of the scene before the viewers of the livestream. Meeting the viewer is footage of a boat sailing on, fast and steady. The footage perspective is oriented forward, toward the direction the boat’s destination. At times, this perspective casts glances to the right. The waves are gentle, although the rising and falling of
the boat from may cause mild motion sickness. The boat’s pointed end is seen right in front of the footage point of view, partially blocking the view of a mountain ahead. There is a staff-like object is right in front of the video’s perspective, that a person might hold on to, should they lose their balance. Based on the shadow of this object, it may be assumed that the video was taken at high noon. The sky above looks overcast. The continuous sound of waves hitting the boat can be heard.
There are two kinds of objects seen overlayed on this sailing footage. First, on the left margin of the screen: resembling the right-hand end of a rectangular frame. Its dominant color is also orange, though there are green and blue lines along its length, comprising its aesthetic design. Its smooth and solid texture also differs vastly from the realism of the footage (though bathed in an orange filter). One might recall how we imagined “futuristic,” back in the days of the late 90s to the beginning of the new millennium.
Next to this is the other kind of object placed over the footage: text. Announcements and other information about the Conference. At the very top, aligned with the right corner of what appears to be the rectangular frame, we see “LIVE IN” with a countdown timer. This timer begins at three minutes. Large font, white letters, highlighted in red. Below this, in the same large font, we read WELCOME TO ETERNAL CONFERENCES! The colors of the letters have an ombre effect: it begins with white, then slowly takes on the hues of the clearest sea water on a beach with white sand. This is then highlighted in black.
Further below this, in much smaller font, are additional information about the current conference. Information about the name of the speaker, the schedule, the language, and the inclusion of sign language interpretation are in a black, sans serif font. Under this, in even smaller font, we read invitations for viewers to create their own Twitch account so they can participate in the chatbox within the livestream, as well as promotions for the Eternal Conference social media profiles and website. At the end, at the very bottom, in the same font as the first two lines though the same size as the line just above this, we see HAVE A GREAT TIME!!! 😊 The letters are in black, and its highlight is in white.
Once the countdown reaches 00:00, the volume of the sound of waves hitting the small boat increases for a few seconds. The appearance of the screen then drastically changes. Much like the design of the previous screen, there is again a photorealistic image of some natural scenery on the first layer. On the left hand corner of the screen we find what could be the identification of this scenery: TaalVolcanoVTMC2019/01/07 -8:51:16, in white sans serif font. Over this image, we see three varying sizes of rectangular frames in orange, green, and blue. The arrangement of the screen in the beginning of the broadcast now seems to be a “peek” into this present design, as they both have the same sort of vintage “futuristic” look. On the top-right area of the screen, we find ETERNAL CONFERENCES in white font. Next to this is a shining, rotating golden wheel. Placed over this is a 3D graphic of a mollusk-like creature. White, with a thin orange outline, resembling a shadow.
There are two kinds of objects seen overlayed on this sailing footage. First, on the left margin of the screen: resembling the right-hand end of a rectangular frame. Its dominant color is also orange, though there are green and blue lines along its length, comprising its aesthetic design. Its smooth and solid texture also differs vastly from the realism of the footage (though bathed in an orange filter). One might recall how we imagined “futuristic,” back in the days of the late 90s to the beginning of the new millennium.
Next to this is the other kind of object placed over the footage: text. Announcements and other information about the Conference. At the very top, aligned with the right corner of what appears to be the rectangular frame, we see “LIVE IN” with a countdown timer. This timer begins at three minutes. Large font, white letters, highlighted in red. Below this, in the same large font, we read WELCOME TO ETERNAL CONFERENCES! The colors of the letters have an ombre effect: it begins with white, then slowly takes on the hues of the clearest sea water on a beach with white sand. This is then highlighted in black.
Further below this, in much smaller font, are additional information about the current conference. Information about the name of the speaker, the schedule, the language, and the inclusion of sign language interpretation are in a black, sans serif font. Under this, in even smaller font, we read invitations for viewers to create their own Twitch account so they can participate in the chatbox within the livestream, as well as promotions for the Eternal Conference social media profiles and website. At the end, at the very bottom, in the same font as the first two lines though the same size as the line just above this, we see HAVE A GREAT TIME!!! 😊 The letters are in black, and its highlight is in white.
Once the countdown reaches 00:00, the volume of the sound of waves hitting the small boat increases for a few seconds. The appearance of the screen then drastically changes. Much like the design of the previous screen, there is again a photorealistic image of some natural scenery on the first layer. On the left hand corner of the screen we find what could be the identification of this scenery: TaalVolcanoVTMC2019/01/07 -8:51:16, in white sans serif font. Over this image, we see three varying sizes of rectangular frames in orange, green, and blue. The arrangement of the screen in the beginning of the broadcast now seems to be a “peek” into this present design, as they both have the same sort of vintage “futuristic” look. On the top-right area of the screen, we find ETERNAL CONFERENCES in white font. Next to this is a shining, rotating golden wheel. Placed over this is a 3D graphic of a mollusk-like creature. White, with a thin orange outline, resembling a shadow.
